Binary Opposition in Literature: Definition & Examples ...

Significant Dualities, in Nature and in Societies

Caution: This article is a long read, and goes in many directions. For the curious mind, it's a lively mindfield to explore and come back again and again. If you prefer poster images, never mind.
Some links occur here mostly because they're interesting, and somehow are part of a duality.
For me, duality means at least two things which are associated somehow, but considered separately are different. We don't need to count above 2, like say 'polyality' because obviously the idea of divergence, or fork, is able to have many 'tines' or separate paths. (See Tuning Fork, below.) We don't have time to cover every possibility, so let's just stick with 2, the most simple case of multiple. (See Rhizome Philosophy for an interesting alternative to this binary association structure. Also the paragraph titled "Association Schemes" in Exploiting the Pyramid.)
We aren't considering pairs of identicals, like dual wheels, two of exactly the same thing, but maybe if there is a small difference, or doubtful meaning between similar things (see dual internal organs under anatomy, below).
Sometimes the association between things is not obvious, in which case we better explain, but most dualities are obviously two tined. Let it go at that.
Tuning Fork, a synchronous dynamic opposition, and also an acoustic device having a dual nature similar to both stringed eg. Piano and other percussion devices (eg. Glockenspiel. See also disambiguation of similar percussion instruments. Tuning forks have the advantage of needing no containment structure because their duality counter-balances the vibrations. All the other devices have a single resonator for each tone.
Dualism (disambiguation index) | wkpd
Fake Word Similarities Dual not confused with duel Dual not confused with do all. (Obvious.)
Duality expressions
flip side
double edged sword
Janus faced
dark side-- bright side
balance equilibrium equation
opposites (word list)
positive-negative (photography))
bilateral symmetry
mirror
images, real vs virtual
paired symbols
yin-yang (principle) yin-yang (history)
Dual Obelisks, ancient Egypt (had different inscriptions on each)
duality as found on tumblr (index)
hypocrisy vs sincerity (philosophical mirror) hypocrisy sincerity sin cere means without wax, not a crackpot idea
Being a Leftist Means never having to Say You’re Sorry title of this essay inspired by a 1970s witticism
dual-process theory of human intelligence
The Balance (disambiguation index) | wkpd, in the physical, a two-sided weight comparator, in the abstract, the equation... possibly the most significant model (3) of reality ever conceived.
Exercising Equations, For Example...
How can things fly, and boats sail upwind?
Bernoulli's two-path model of lift vs Newton's Reaction of air-inertia model of force
Previous link models a lifting surface as a flat-plane and air is deflected in a single direction. Modeling a lifting surface as an arc also works, but no simple reference explaining this is found. So I'm going to do it, very briefly...
Imagine a wing, or sail, is a simple arc, and a small sample of air passing by it is like a stone on a string.. Air has mass, therefore thrusting it around a curve causes a reaction force opposite the center of the curve (aka lift.)
This is an important example because large commercial aircraft wings are complex mechanical devices that change shape depending on speed (scroll down to Flaps). At low speed, the wing simulates an arc, and a sail is made loose to form a larger curve. (Sailing in light airs, reduce tension on halyards, while a tight (more flat) sail configuration is called 'close-hauled').
Binary Thinking, True or False?
What is it? | qra
Binary opposition WARNING: Cultural Marxism, deconstruction
False dilemma, an obstacle to effective negotiation, in which nuances and concessions should be considered, not "take it or leave it" ultimatums
GOOD, BAD, UGLY? 2015 | stnfd
Example: Evolution vs Religious Tradition (Creationism) Purpose or no Purpose, that's the question: Darwinism: Survival without Purpose 2007 Another example from Mark Driscoll
Biblical Christianity requires black-and-white thinking because it is dualistic... Mainstream culture refuses to allow any categories because that would mean making distinctions, which ultimately ends in making value judgments. (which is DISCRIMINATION!) For the record, I am in favor of discrimination, not by race, but by behavior record. Discriminating Evolution from Intelligent Design (the flaws clause) 7 min
Boolean Logic
technical: Bifurcation theory
Binary Options
Nature
Wave–particle duality | wkpd Wave–particle duality (article index) | scidly Light and Sound CGI video, wave-particle duality 25 min
position vs momentum (uncertainty principle)
observer vs object observed (anthropic principle)
Energy-mass duality | wkpd
Mutual-Influence Orbital Oscillation Patterns
Mass Duality vs Time, Effects
Lunacy; tidal lock one side seen, one side hidden
Orbital resonance
Example: Earth-Luna orbit each other; Luna's mass is 0.0123 of earth's. Earth oscillates due to Luna, but radius of orbit is less than Earth's radius, so it's less obvious. See Barycenter. See also NASA, Moon, Luna's orbit, and Libration. https://music.stackexchange.com/questions/24243/what-is-the-difference-between-a-xylophone-a-glockenspiel-marimba-a-xylorimba#24245
Earth Mother Goddess Duo: Gaia/Medea Hypothesis
anatomy
Internal Organ Duals, Why? What are paired organs? (lists) 2018 | qra Symmetry Why do we have two of some organs, but not all? 2014 | stkxchg
Respiratory-Circulatory System Overlap (dual function) Venous Blood forced by thoracic-ambient pressure differential... Heart and lungs are together in the pulmonary cavity, experience simultaneous pressure fluctuations (scroll down to 'Respiratory Pump'), thus fluid influx and egress (air is a fluid). Respiration includes blood circulation, the respiratory and circulatory systems are inextricably linked.
Note that previous articles omit hydrostatic pressure which influences venous circulation (fluid pressure is higher at lower elevations, depending on density; eg. Hg (used in barometers) is 13.534g/cm3, blood is 1.06 g/cm3 (slightly more than water)). When you experience tingling, numbness or swelling due to inactivity, raise the inactive limbs above heart, gravity will help the circulation. Also, dizziness might be due to pressure variations in brain, such as suddenly standing upright after kneeling for awhile. Move more slowly.
Notice that we have only indirect control over heart-rate. We can increase physical activity (especially respiration) voluntarily, then the autonomous nerve system takes care of the rates.
Sex
Origin of Sex
Reproduction, Evolution of
When Did Sex Become Fun? 2016 | spns
A Brief History of Human Sex 2006 | lvsci
Chromosome Duality predicts longevity, reliably Scientists Discover Why women live longer Petrov 8 min
The sex with the reduced sex chromosome dies earlier: a comparison across the tree of life Mar.2020
polarity
electrical
chemical
Polarization (waves) see also Introduction to Polarized Light
magnetic geomagnetic pole
geographic
antipodes
Bi-polar Disorder (mental health)
Dysphoric Mania in Bipolar Disorder (reality IS bipolar, see previous links)
dysphoria is a profound state of unease or a general dissatisfaction with life
split personality, eg. Dr. Jekyll and Mr. Hyde
Euphoria vs Dysphoria
psycho-active stimulants create euphoria 10 BEST LEGAL EUPHORIC HIGH HERBS 2017 See also 4 Most Euphoric Nootropics
What are Nootropics?
What Is Rejection Sensitive Dysphoria?
Society
DUO - Animation Short Film (Fr) 2014 - GOBELINS (for some performance artists, life is a matter of trust) 3.5 min
Dual inheritance theory
Moral Duality
Bi-polar Disorder (social inequality), topic continues under heading "Double Standard of Morality" (scroll down)... A simple two-tier arrangement of mucked-up social "order" which originated in prehistoric times, a result of a conquering group, aka "ruling class" which maintains a dominant position (see Dominance as social construct). The privileged class takes advantage in several ways, one of which allows THEM to commit crimes against US without consequence, but the reverse situation is dealt with harshly.
Assuming there is an ecological crisis, Culture Dysphoria 2015
The historic task of cultural change is to resolve throughout the dominant culture the distortions of rationalist human/nature dualisms that deny our ecological embodiment and membership of the global ecological community.
In Reality, trends toward the Cosmopolitan Cluster are profoundly dissatisfying to conservative individuals. The CC issue is a case of 'the melting pot'. see also Cosmopolitan Cluster
The urban rural divide in the US and other complexities of polarization JUL.17,2019 | ToL
Indivi-DUAL
New idea: 'indivi', I'm going to premise means not divided, a singleton, and dual means two. That leads us to... a person is an undivided twosome, let's assume it means mind-body.
What exactly is the duality of human nature? | qra (trick question, see answer by Mike Brant, also good, Marcos Sheldon Padilla (per mind-body), see next link)
More about Mind-Body
UR2 CGPGrey 5 min
Dual Citizenship
list of, a good place to look for spies Editorial: The problem of dual citizenship 2014... “dual citizenship can present a security issue whether to permit access to classified information which affects recruitment, employment and assignments.” -US State Dept. In some cases, dual citizenship could disqualify an applicant for a sensitive position with the CIA or the State Department. (But not so for Israelis?)... List Israeli Dual Citizens in the US. 114th Congress; Bernie Sanders is on it 2016 | SotN
Binary Competition US vs THEM
Right vs Left (politics)
angels and demons 2 Class Social Hierarchy (Social Order Simplified)
Double Standard of Morality
... is a necessary adjunct to an US vs THEM ethic... because conflating US with THEM gives us cognitive dissonance; (social) equality is oblivion
The Dual Code of Morality
CHINA Strategy; moral dualities
Double Standard of Morality A necessary adjunct to US vs THEM ethic
social equality is oblivion
Bite the Hand that FED you; Ferried by kin-dness from Diaspora to Serendip, then They try to sink that "kin"ship
How the Jews Destroyed Germany | rjn
Jewish Declaration of War on Nazi Germany 1933
How The Jews Destroyed America | rjn
Nazi Jews- “Jew's own worst enemy!” 2007 Makow\rense
Cabalist Bankers Funded Hitler Via Wehrmacht Sep.2019 | svmls
Jewish Origins of Communism
For (Moses) Hess, the cardinal sin of the Judaic people was to abandon their heritage, while the cardinal objective of his Communism was to persuade all other people to abandon theirs…
Communism was the means for achieving Judaic supremacy over the gentiles. The gentiles were fated to be reduced to a faceless, deracinated mass. Capitalism was also capable of producing this effect, through free trade and the unfettered financialization of society, in which the management of money becomes a vast business in itself, and where the highest virtue, after obeisance to Judaism, is profit.
Israel’s New Ideology of Genocide 2018
ve’ahavta (“love your neighbor as yourself”) admonition to Goyim for regarding their Jewish neighbors; as for the Jews themselves, haba le-horgecha, hashkem le-horgo (“he who comes to kill you, rise early and kill him first” as told in 3 Little Pigs))
(wolf) attempts to trick third pig out of his (brick) house by asking to meet him at various places, but he is outwitted each time (3rd pig rises early, does the suggested task, and saves himself from being eaten)
Juice Dualities Juice, and DNA Melting Plot 1
back pages
A take-down of religious "morality" by a "believer"
To Serve the Greater Good, a Moral Philosophy for today++
Survey of Creativity and Destruction 1 Westciv
Garrett Hardin writes: "The essential characteristic of a tribe is that it should follow a double standard of morality -- one kind of behavior for in-group relations, another for out-group." -Wild Taboo "It is a tragic irony that discrimination has produced a species (homo sapiens) that now proposes to abandon the principle responsible for its rise to greatness."
Survey of Creativity and Destruction 8; Survival is Objective #1 in Evolution
Wild Taboo; Hardin/Masters
Competitive Exclusion Principle In the competition for living space and resources between two species (or two groups that occupy the same ecological niche), one will inevitably and inexorably eliminate the other. “In a finite universe – and the organisms of our world know no other – where the total number of organisms of both kinds cannot exceed a certain number… one species will necessarily replace the other species completely if the two species are “complete competitors, i.e., live the same kind of life.”
Historic Walls: Segregation and Security, defensive duo Disapproval of US.MX Border Barrier Design
Musical Duets (entertainment break from difficult study)
2x(Tico) no Fubá - Duo Siqueira Lima - guitar 4 Hands 3 min (includes brief encore) otra vez... 22x (Tico) Zequinha de Abreu arr. N Kossinskaya guitar quartet 4 min Anabel Montesinos & Marco Tamayo | Mozart, Rondo Alla Turca (w/audience) 3 min
Delibes, Lakmé - Duo des fleurs, Sabine Devieilhe & Marianne Crebassa, 3.8m views since Nov2017 4.5 min
Sun Quan The Emperor (Guzheng & Drum Ver.) 9.6m views since 2015 5 min
MUSA - Chandelier(Sia) & Wrecking Ball Mash - Guzheng and Zhongruan 3.3m views since 2015 3.5 min
Irish Senior Citizen Plays London Mall Piano... Then Magic Occurs; spontaneous Irish duet, Galway and Kerry 582k views since Jun.3.2019 (today is Jun.10) 7 min
Rasputin (Boney M) (viol/cello)- The Ayoub Sisters 3.4 min
A.Montesinos & M.Tamayo-Tres canciones de The Beatles-Stagione Internazionale di Chitarra Classica 9.9 min
Fool on the Hill; She's Leaving Home; Penny Lane;
Crazy - Patsy Cline Cover (Allison Young vocals, Josh Turner Guitar) 8.5k views 3.3 min
Dancing, an exercise in aesthetic, social duality
Grace on Ice Gabriella PAPADAKIS, Guillaume CIZERON, 2016 WC's music: Perfect- Ed Sheeran 4.3 min
A family exercise Derek and Julianne, music: "Unsteady" 2 min
Piano Duet, + 3 couples in traditional form Andrea & Matteo Bocelli, music: "Fall On Me" 2.6 min
Memorabilia (skips emotional intro) Jordan​ and​ ​Lindsay contemporary style, music: “Take Me Home” 1.3 min dance episode ends at 3:00
study notes
https://lorenzo-thinkingoutaloud.blogspot.com/2019/
https://simplicable.com/new/anti-competitive-practices
https://duckduckgo.com/?q=reality+dysphoria&atb=v81-4__&ia=web
submitted by acloudrift to todayplusplus [link] [comments]

"Of Nen and Zen". A short essay concerning the eastern philosphy and mysticism in hunterxhunter.

Soo.. this has taken a lot longer than anticipated, but I think it is ready.
.
I believe I found something that shines a new light on togashi's nen system(maybe somebody already pointed this out but, maybe not. Either way this will be my own spin on it.) This will take some time to explain and is not the easiest of topics to convey with words, but I'll try my best. So bare with me. It will be worth it I promise.
Oh and by the way, I'm not a native speaker, so there are probably many misspellings and grammar fuckups included. I tried my best with what I've been taught, but yes there probably will be A LOT. :D
If anyone would like to help improve the grammar of this post, please message me.

- The book of changes -

how two makes four

So, I'm really interested in eastern philosophy and mysticism and while researching the four basic elements, I came about a system that goes up and beyond. It's kind of like the binary system actually. It starts with 2 components, light/hard and dark/soft. Those would resemble the dual level represented by 1/0 or yin and yang. They are portrayed as a continuous line **--- for yang(light)**and a discontinuous line - - for yin(dark). It's a bit un intuitive as they are drawn in black, but what can we do. While it doesn't visually fit with light and dark, there is another property included that is portrayed better through the lines and that is --- yang(hard) and - - yin(soft). The space really helps in conveying the soft quality at least. But enough critiquing of ancient peoples work. I really like to believe they wanted to do better, but just couldn't get their hands on that white ink. So let's cut them some slack and move on.
There are many things in nature that share a dual relation like that, to name a few: cold/warm, fast/slow, night/day, male/female and also to heaven(天) and earth(地) as in spatial directions. They're relation might seem opposite at firs,t but only on the conceptual level. In nature its an ever flowing and changing process.



Yin, dark, soft (female) - -
Yang, light, strong (male) ---
https://preview.redd.it/qqc7wzuv8av21.png?width=600&format=png&auto=webp&s=d239c1dc11520a33e78c0d7a07cce70d7eb8d388
So, right now we have only 2 distinct states, but if we add another line to the image we are suddenly left with four different states (in mathemathical terms this would be 2^2[ two exponent two] in this case 2\2, the first number being the possible states of the unit and the exponent being the number of units combined.* It's neat to see this, but if you totally loathe math, just ignore it, it's not needed to understand this.)
Anyway, I think these are the ones most people are familiar with: air(wind and sometimes wood), water, fire, earth also called: old yin, young yang, young yin, old yang. They make up a continuous cycle while inheriting and recombining the above properties and are fundamentally described like this:

Wind, (風)

dry, subtle, coldest (male)

Water (水)

most humid, dense, cold (female)

Fire (火)

dry, subtle, warmest (male)

Earth (土)

humid, densest, warm (female)

That's already pretty interesting I'd say, but what I really want to show you goes one step further. If we now add one more line (2^3), what we get are called the "8 trigrams". I first learned about these in German and now upon taking a closer look at the English versions out there, I chose to take the best from both worlds and use what I can.
Also, from here on out I can include the corresponding Unicode symbols (yes, they really are included, but unfortunately pretty small. But it's nice they don't count as images that way, curse you image limit!)

The 8 trigrams


Parents:

☰ Kiën (乾 qián),

the creative, is the force, is strength, is the sky, the father

☷ Kun (坤 kūn) ,

the receptive, is the field, is devotion, is the earth, the mother

Children:

☳ Dshen (震 zhèn),

the thrilling/exciting, is movement, is shaking, is the thunder, the oldest sun

☵ Kan (坎 kǎn),

the abysmal, is danger, is deep water or clouds, the middle son

☶ Gen (艮 gèn),

the solitary, is serenity, is standstill, is the mountain, the youngest son

☴ Sun (巽 xùn),

the gentle yet penetrating, is the wind or wood, the oldest daughter

☲ Li (離 lí),

the adherent, is radiant, is conditioned or bound, is the sun, the flash or the clear flame, the middle daughter

☳ Dui (兌 duì),

the joyful, is happiness, is the lake, the youngest daughter

These archetypal forms of energy or emotion are also in a continuous cycle just like the four elements, having additionally gained complexity and character, they inherit everything from their ancestors. At this stage they take on a more personal form. Atleast the 6 children that is, as the parents are still pretty much yin/yang and are, because of that, "out of the picture". They somehow stand above and influence all six, while not descending into their play.

As you probably have noticed this can be done another time creating now 16 variations, but let's not go there, the really important ones right now are the 6 children. Because, you now what also comes in the package of 6?

Yes, Aura types.
Could it really be possible to match these with our 6 categories of nen? Well I have tried. Tell me what you think:

Btw: This is my first drawing since like 10 years and that was highschool art class, so please spare me. If anyone wants to improve this. please do. :D The color grading is still pretty on point though and I wouldn't change that much about it if I did another one. Also this was born directly out of my inspiration when I found out about this, so it kind of grew on my heart. So shush! :P

- Wheel of emotion -


https://preview.redd.it/xbk15ksis9v21.jpg?width=960&format=pjpg&auto=webp&s=069ead2f6d93e12b7179b8da51e0803d50c28e9d

Note: This is my own system of ordering it. I choose it to match togashi's system and also because I think it's the most fitting when looking at personal energies. Only in this order you can really show the flow of energy visually. The original from the book of changes which is funnily called the "I Ging" (at least in German it is. I think there are different pronunciations out there) includes all 8 trigrams, but leaves out circular motion. (I will add that too as reference) .

So what does that jumble mean?
Basically, one could look at it as an age cycle of energy. from young age "Li" all throughout the maturing process right into old age "Gen". But there are many things happening in between that can be looked at.

To get a better understanding and overview, let us first look the symbols in the corner that represent our previous four basic elements:

alternate symbols

fire > passion, action

water < flow, emotion

air ^ renewal, intelligence

earth v courage, memory


The second part of this attribution comes from the yogic sciences, where there are four pillars of yoga.
Yoga however does not mean "twisting your body". It means unity and is the path of seeking inclusion.
I included them because they are the only 4 sources you can use to enhance your self.

Fire: Karma yoga. The yoga of action. Using your body and your movement to generate energy.
Water: Bhakti yoga. The yoga of emotion. Using your emotion to include something into your self.
Air: Kriya yoga. The yoga of life energy. Bringing change to once own life energies.
AiEarth: Ghana yoga. The yoga of intelligence, Using your mind to penetrate the world and become something more.

This is how they get extracted from the geometric hexagram:
https://preview.redd.it/o3izr2k5bav21.jpg?width=186&format=pjpg&auto=webp&s=cecb97951ad379f0aca1bc77b964850a3890765b

There's also another symbol right at the bottom (where gen is), that looks at bit weird.
It's the lesser known fifth element:

Akasha or Aether


It's somewhat mysterious and hard to describe as it is invisible in nature.
It's below and above the other four elements in the way that all of the other elements happen in it. It is:
Space.
No, not the literal space out in the night sky.. whereby it's often used as a visual representation, but what it really points to is the space that's all around us.
There are things in space and there is space. That's akasha.
There are different symbols used to represent it. In nature it corresponds to the universe, plasma or the color purple


https://preview.redd.it/5cq8wv2at9v21.jpg?width=509&format=pjpg&auto=webp&s=30c627c1b302ec90ea5a9cf2689086fb13443550

So far we've seen only the main attributition. Here's a more in-depth list of personal traits and correspondences for the four in their pure form. If we look at them in the dynamic spectrum they can mix quite heavily. Aether is not really relevant in that sense, but I think it's important to know its there.
(It's interesting how akasha is not really an element and specialisation is not really a class. But still I fail to see a direct connection. Also the symbol of the hunter association looks very similar.)

https://preview.redd.it/pq0nro4tbav21.png?width=200&format=png&auto=webp&s=b12c84b25d6aee9e7fb8260f790bf6fc4d76a7ed

Elemental correspondences:


The element of fire (choleric)
Positive qualities: vigorousness, zeal, enthusiasm, courage, decisiveness, power of creativity, daring, sedulity...
Negative qualities: quarrelsomeness, irritability, urge to destroy everything, passion, immoderacy, jealousy, voraciousness, vindictiveness, violence, hate, anger, sudden ebullition...
The element of air (sanguine)
Positive qualities: clarity, intelligence, vigilance, care-freedom,diligence, kind-heartedness, swiftness, clarity, lightness, independency, dexterity, optimism
Negative qualities: overly intellectual, lack of perseverance, dishonesty, gossipy, cunningness, garrulousness, inconstancy, touchiness, prodigality...
The element of water (phlegmatic)
Positive qualities: understanding, placidity, mildness, trusting nature, devotion, mercy, forgiveness, modesty, compassion, , pliancy, meditativeness, internalization...
Negative qualities: corruptness, lust, depression, indifference, heartlessness, laziness, indolence, rigidity, lack of daring, lack of concern, unstableness, dejection...
The element of earth (melancholic)
Positive qualities: consistency, conscientiousness, perseverance, punctuality, caution, resistance, responsibility, carefulness, firmness, reliability, sobriety, ambition, respectfulness, matter-of-factness...
Negative qualities: stuffiness, superficiality, laziness, indifference, cumbersomeness, touchiness, lack of conscientiousness, irregularity, timidity, scornfulness...

Somehow they also relate to the four major principles, but I haven't found a way too assign them sufficiently. This is all I got so far:

Technique Main element -> properties Supporting -> properties
Ten Water control of flow, serenity, rest in emotion earth steady, calm, balance, unmoving
Zetsu Earth no outflow, contain, rest, - -
Ren Fire power,strength Wind growing through change, tempering of will (objective)
Hatsu Fire aggression, release, outward projecting, ready, decisive Wind movement, change
While not perfect, there's definitely a tendency to be seen here. Most noticeably that ten and zetsu both employ "female" qualities, while ren and hatsu are dominated by "male" qualities.


While being more subtle, correspondences like that can also be found for each of the trigrams. I haven't found a source for that so I'll list all that I picked up:

Trigram Nature correspondences Properties
Li flame, flash, sun radiant, clear, light, adherent, bound, conditioned, steady
Dshen thunder, quaking, roaring movement, action, agitation, thrill, excitement, loud, rash, energetic, rushing
Dui lake, swamp, spring joy, innocence, open, light hearted, happy-go-lucky, avid, kind
Kan abyss, deep water, gorge playful, versatile, trickster, hidden, danger, knowledge of evil, corrupt
Sun wind, wood, tree soft, balancing, understanding, knowledgeble, intelligent, calculating, penetrating, strict
Gen mountain, rock, stone independent, strong, firm, solely, serene, unmoving, still.

Now that we got ourselves acquainted with the elemental 101 we can go and look deeper into it.

- Relations between children -

(I advise to keep the image of the wheel of emotion open in a sidetab, so it can be looked at while reading the explanation. Otherwise you'll need a very good memory or an avid scrolling finger, But it seems i can post it one more time, so here you go:)

https://preview.redd.it/drvjr4z1s5b31.jpg?width=960&format=pjpg&auto=webp&s=e70992e5977a6ca650471474fcef25b4dbd1f57d
The arrows in the middle that form a hexagon display the hierarchy from oldest to youngest child of each gender and also indicate the parents from which they inherit. As you can see male and female alternate with every image. While not a classification on their own they have a subtle impact on all six. However, one can't simple say that dshen is purely male as these "borders" get washed out increasingly through generations (if there ever were any).
The neighboring images are balancing each other, as one seems to always want to reach into the next.
Progressing like: -> li - dschen - dui - kan - sun - gen -> into li again.
There are many interactions seen in this: The stable earth (gen) wanting to become energy (li) -> pure energy becoming excitement (dschen), energeticness wanting to get a taste of colorful emotion (dui) -> the resulting happiness longing to become deeper emotion (kan) -> deepness becoming gentle and intelligent (sun) -> then growing strong and independent (gen) and finally the lonesomeness wanting to become warm again through communion with the outside world (li).
This example is arbitrary and also you can't really set boundaries on this. I just did, so you have a general understanding of the flow that's being portrayed here. The early form of a trigram differs so heavily from its late version, it could be a new classification on it's own. But more on that later. First let's look at some rules in relation to the hunterxhunter system:

Adjacent categories have a 80% learning capability and are always the ones, that are, not of the same age group and also of the opposing gender. Admittedly, it's a bit difficult to see, so here's an example:
specialization/gen (youngest son) 80%-- conjuration/sun( oldest daughter) 100%-- transmutation/kan (middle son) 80%
When the classification that is looked at for adaptibility is conjuration, which is a daughter, then it would mean the most promising categories will be the sons of a different age group. (Okay.. and what does that mean? I don't know, but that's how it is.) And that's also were the natural balancing flow of energy wants to go:
The strictness and composure of conjuration(sun) wanting to become free through the unbound emotional deepness of transmutation(kan) and the burden of the working intelligence wanting to become cool, steady and lonesome through specialization(gen). While there's a definite tendency towards clockwise progression, it's fair to say that change and interaction can be noticed in every direction. For example the gentleness of sun can calm the troubled waves of kan.

2.
Categories of the same gender always have a 60% learning capability.
If the classification look at is again Conjuration/Sun(oldest daughter), then it would be the other both daughters manipulation/Li(middle) and enhancement/duì(young), that can be learned at a 60% rate. They form a triangle and always have a son in between.
same sex=same rate

3.
The polar category is the one that has the same age, but is of a different gender. I sometimes look at it as the archenemy category, because it's so opposing. If we look at conjuration(sun) again our counter would be emission(zhèn). Heavy planning and thinking and perfectionism against well, Leorio.. :D If one wants to wield the other there is bound to be chaos. And maybe that's why its 40% only,
Here are some Nen users that share this connection.

Gon & Pitou
Leorio & Kurapica
Netero & Meruem
Killua & Illumi
Hisoka & Illumi

Here's a chart that brings all aura types into perspective

Aura type Abilities, Talents Tendencies Real world professions (allthough any can be all) Sin
Manipulator influence, control, govern, guide, teach outward, change/love teachers, parents , leaders, politicians, malevolence
Emitter being heard, bringing change, enforcing will outward, justice/ truth speakers, politicians, dancers,singers, police forces wrath
Enhancer physical, simple approach, improving, strenghtening outward, courage/carefre athletes, labourer, dancers egoism
Transmuter bending energy, keeping flow, shifting states, jokes, wearing a mask inward, love/change comedians, trickster, actor, artists, singer, dancer, writer, poets insanity, lust
Conjurer understanding the world and it's rules, living by it and creating something from it -> strategy, science, math, writing, poetry inward, truth/justice investigator, strategists, professors, academics, poets pride
Specialists doing everything alone, special talents who have to be seen, unique inward, carefree/courage people who need nobody yet attract others because of that, types you just can't label. Know'em when you meet'em. indifference

You could look at it for days in this way and find harmonies and disharmonies, it's quite beautiful. For me it has become more than an anime fighting system. Its energy and emotion in the play of life. While you certainly can't just pull out hatsus in real life there are some overlappings with the realm of talents and mastery of the real world. It really makes you wonder. But to spare you from my fascinated rambling, I will now move on unto the next thing I have found.



- And Zen what? -


As I have said before it's possible to add another line to the informational pool to achieve 16 variations(2*2*2). But that's not whats being done by the book of changes. It skips this stage entirely and directly combines two trigrams into one hexagram. If this is done for every possible combination there are suddenly 64 hexagrams. They create a much bigger array of possible states and changes between them, but to be honest that's too much work to show and explain right now. For one, this is no taoist university (I wonder if there really is such a thing) and it also goes beyond of what is useful for our purpose here. If you are really interested, look into that on your own. It's not that it's not worth it, but I don't want to infodump you to death.

I will now look at some specific constellations of the hexagrams that are of direct importance for the hunterverse. First we have the 8(6) "double images". It's obvious that when recombining all of the trigrams, we should also be left with 8 images that are a repetition of themselves. They give some new insight and add on on what we already now. The quality of amplification and repetition shines through in their meaning.

Note: All of the description that will follow are from a collection of sources. "Buch der Wandlungen"(book of changes from Richard Wilhelm). Excerpts used and translated into english by me.
original: https://schuledesrades.org/public/iging/buch/?Q=5/1
Quotes and descriptions from different english sites.
And infoormation and symbols from this https://en.wikipedia.org/wiki/Hexagram_(I_Ching))

But now, let's get started.

離 (lí), "radiance"

Other variations include "the clinging, fire" and "the net". Its inner trigram is ☲ (離 lí) radiance = (火) fire, and its outer trigram is identical.
The origin of the character has its roots in symbols of long-tailed birds such as the peacock or the legendary phoenix
Fire has no definite form, it adheres to things and burns that way. Like water raining from the sky, fire blazes upwards. Everything that is shining in the world is bound to something that it adheres too, only in that way it can shine on. For something to shine endlessly, there surely needs to be tenacity.
The clinging means resting on something. When the waters of the Abysmal flow into the pit, we search for something to cling to." Li is the image of the Clinging Fire, formless except the essence of fuel that keeps it burning.when undergoing drastic changes on the outside the only footing is the reference point of the personal self.
What emerges from any difficult transition is the discovery of that thing which will guide and support you when all else is taken away. This is like a light that is always burning in the darkness. Although events ‘out there’ orchestrate the changes, they merely lead you to cultivate a shift of awareness ‘in here.’


震 (zhèn), "the shaking"

Other variations include "the arousing (shock)" and "thunder". Both its inner and outer trigrams are ☳ (震 zhèn)
This movement is so intense it's frightening. The image is the thunder who burst out from earth and by his quaking causes fright and trembling. While initially dreadful the uproar ensures renewal and success in the future.
It's the oldest sun, who vigorously seizes power. A taking of charge. A new status quo. -
When children ride roller coasters, they discover that allowing fear to have expression is energizing. If only we could always remain joyous in approaching our fears as we move along our dusty road. Unfortunately we grow complacent and seek security and stasis. Anything in nature that becomes stagnant will be re-energized by the unexpected. “Shock brings success. Shock comes – oh oh! Laughing words – ha ha!” Whether hurricanes balance ocean temperatures or tumultuous autumn and spring storms invigorate new growth, nobody can hide from nature’s power to keep all things thriving. The Shocking can symbolize the unexpected things that generate emotion and wake us up.
The feelings arising are quite unfamiliar but refreshingly new. What worked in the past will no longer do. The two words most associated with Zhen is ‘uh oh!’ However, it should be viewed in the same laughing sentiment as children riding a roller coaster. Something is coming that is unexpected but is meant to awaken you to how you hide. Each day we witness the mutability of nature and fail to recognize it in our own life. No matter the event, the pace may quicken and you may suddenly find your heart racing and a smile on your face.


兌 (duì), "the joyous, lake"

Other variations include: "open", "usurpation" and swamp. Both its inner and outer trigrams are ☱ (兌 duì).
The happy mood is contagious, that's why it's prevailing. But joy needs a foundation of stability, so it doesn't degenerate into utter foolishness. Truth and strength need to dwell in the heart, while meekness is for all to see. contrary to intuition joy is not the result of the softness of the topmost line. The property of the soft/dark principal is not joy, but melancholy. The real joy comes through it's inner toughness and strength, which shows itself through the means of softness.
The repititon: The happy mood is contagious, that's why it's prevailing. But Joy needs a foundation of stability, so it doesn't degenerate into utter foolishness. Truth and strength need to dwell in the heart, while meekness is for all to see. -

More often than not it's inner opening rather than the effort or movement to change outer events that has led to joy. Often we feel the opposite of Joy in the form of unhappiness and see it as something negative. Unhappiness is the hunger pain for change so how can it be bad? The saying, “if you never fail, you will always succeed” means that if failure is taken in stride as a prerequisite to success it isn’t really failure. This accepting outlook leads to joyousness on the journey.
“Content in your circumstances and genuine in kindness, you are the expression of the love that renews all things.”
While we can do little to change the events that unfold around us, a change in perspective can magically change everything. Be Joyous in thought and action and celebrate others. Since life is your mirror it will reflect joyousness back to you.


坎 (kǎn), "the abysmal"

Other variations include "Gorge" and "repeated entrapment". Its inner trigram is ☵ (坎 kǎn) and its outer trigram is identical.
Through repitition of danger there is accustoming. Water serves as a good example in these kind of situations. It's always flowing and ever only fills all those gaps that its flowing through. It's not leaving out a single dangerous spot, fears no ledge or fall and is in that way always staying true to itself. If a situation is handled internally, there's a good chance it will sort itself out externally. To fully prevail through danger, there needs to be thoroughness, so that everything that needs to be done, gets done and there is no chance of succumbing to the danger. -

For the benefit of the flowers, we water the thorns too. – Egyptian Proverb

Can one honestly look back and not see the meaning for any of challenges that were had in the past? Going through the danger is necessary to discover who we are, what we really need and what we are capable of accomplishing. There is great power and realizations to be obtained when confronting fear in the deep waters of the unconscious. The dangerous flow of water can lead somewhere beneficial if you just relinquish control and let go of your fear.
Without trusting in the flow of events, many situations can seem threatening, but only in proportion to the disparity that exists between the necessary transition and the fear of going there. When you recognize the things that you cannot change, you discover life's power to lead you. The path is frightening but a commitment to move forward and jump into the flow leaves no option of turning back.


巽 (xùn), "the gentle (the penetrating, wind)"

Other variations include "ground" and "calculations". Both its inner and outer trigrams are ☴ (巽 xùn).
It's image is wind or wood, it's property is gentleness and yet it is penetrating like the wind or the wood with it's roots. In nature it's the wind, which is clearing the clustered clouds and enabling the sun to shine through. For humanity it's the penetrating clarity of righteous judgement, which knocks out all ulterior motives. In society it may be the influence of a powerful figure, who reveals and disperses any and all shady schemings
.
When the oak is felled the whole forest echoes with its fall, but a hundred acorns are sown in silence by an unnoticed breeze. – Thomas Carlyle

There is gentleness and enormous power associated with the hexagram of penetration. Like the wind blowing over vast periods of time against a mountain, the smallest influence when applied with a steadfast attitude can break down any barrier.


艮 (gèn), "the mountain"

Other variations include "keeping still, "rooted" and "stilling". Both its inner and outer trigrams are ☶ (艮 gèn)
True peace is holding still when it's due and moving forward when the time to move forward has come again. In this way, rest and movement is in balance with time and it's necessities. The image is end and start of all movement. As a symbol it could be the spinal of the human body. In it, all nerves controlling movement join together. If there's a seizing of action for all of these nerves, total standstill of the system will be the consequence.
If now a human becomes this still on the inside, then he may face the uneasy and quarrelsome world. He will not get dragged into the fights and upheaval caused by it's inhabitants and has the necessary calmness needed to comprehend the great rules and workings of the world. He, who is acting from this place of deep rootedness, doesn't make mistakes anymore.
In the book of changes rest is described as a polar state, only achieved through the constant counterbalancing with movement.


So there's that. I would like to continue here, but apparently there's a 40.000 character limit. So the continuation will be in part 2.
And that's also where it really gets interesting.

https://www.reddit.com/HunterXHuntecomments/bixqj0/part_2_of_nen_and_zen_a_short_essay_concerning/

See you there!

submitted by Valiant-Turtle to HunterXHunter [link] [comments]

The book of changes and the flow of the world.

Soo.. this has taken a lot longer than anticipated, but I think it is ready.
.
While the I ging probably is known around here, I tried my best to put all my understanding of into in a neat form, so that anyone can benefit. But this is not only for starters, I go very indepth, too and in the end I will go into a matter, that probably not even a self proclaimed expert will know about.

https://www.reddit.com/HunterXHuntecomments/bixkze/of\_nen\_and\_zen\_a\_short\_essay\_concerning\_the/
If you incidentally have watched the anime "HunterxHunter", read this version instead the link is marked as a spoiler above this. If you havent, just ignore this and move onto the first segment:

- The book of changes -

how two makes four

I'm really interested in eastern philosophy and mysticism and while researching the four basic elements, I came about the I ging, a system that takes all of this on another level. But let's start from the very bottom:
The I ging is kind of like the binary system actually. It starts with 2 components, light/hard and dark/soft. Those would resemble the dual level represented by 1/0 or yin and yang. They are portrayed as a continuous line
--- for yang(light) and a discontinuous line - - for yin(dark). It's a bit unintuitive, as they are drawn in black, but what can we do. While it doesn't visually fit with light and dark, there is another property included, that is portrayed better through the lines and that is --- yang(hard) and - - yin(soft). The space really helps in conveying the soft quality at least. But enough critiquing of ancient peoples work. I really like to believe they wanted to do better, but just couldn't get their hands on that white ink. So let's cut them some slack and move on.
There are many things in nature, that share a dual relation like that, to name a few: cold/warm, fast/slow, night/day, male/female and also to:

heaven(天)

earth(地)


as in spatial directions. They're relation might seem opposing at first, but only on the conceptual level. In nature its an ever flowing and changing process.


https://preview.redd.it/ln1rj22y9ib31.png?width=600&format=png&auto=webp&s=d9dc036e1d430e07bf6e07a66ea1e98801d937c0
Yin, dark, soft (female) - -
Yang, light, strong (male) ---

So, right now we have only 2 distinct states, but if we add another line to the image we are suddenly left with four different states (in mathemathical terms this would be 2^2[ two exponent two] in this case 2\2, the first number being the possible states of the unit and the exponent being the number of units combined.* It's neat to see this, but if you totally loathe math, just ignore it, it's not needed to understand this.)
Anyway, I think, these are the ones most people are familiar with: air(wind and sometimes wood), water, fire, earth(soil) also called: old yin, young yang, young yin, old yang. They make up a continuous cycle, while inheriting and recombining the above properties and are fundamentally described like this:

Wind, (風)

dry, subtle, coldest (male)

Water (水)

most humid, dense, cold (female)

Fire (火)

dry, subtle, warmest (male)

Soil (土)

humid, densest, warm (female)

That's already pretty interesting I'd say, but what I really want to show you goes one step further. If we now add one more line (2^3), what we get are called the "8 trigrams". I first learned about these in German and now upon taking a closer look at the English versions out there, I chose to take the best from both worlds and use what I can.
Also, from here on out I can include the corresponding unicode symbols (yes, they really are included, but unfortunately pretty small. But it's nice they don't count as images that way, curse you image limit!)

The 8 trigrams


Parents:

☰ Kiën (乾 qián),

the creative, is the force, is strength, is the sky, the father

☷ Kun (坤 kūn) ,

the receptive, is the field, is devotion, is the earth, the mother

Children:

☳ Dshen (震 zhèn),

the thrilling/exciting, is movement, is shaking, is the thunder, the oldest sun

☵ Kan (坎 kǎn),

the abysmal, is danger, is deep water or clouds, the middle son

☶ Gen (艮 gèn),

the solitary, is serenity, is standstill, is the mountain, the youngest son

☴ Sun (巽 xùn),

the gentle yet penetrating, is the wind or wood, the oldest daughter

☲ Li (離 lí),

the adherent, is radiant, is conditioned or bound, is the sun, the flash or the clear flame, the middle daughter

☳ Dui (兌 duì),

the joyful, is happiness, is the lake, the youngest daughter


These archetypal forms of energy or emotion are also in a continuous cycle, just like the four elements, having additionally gained complexity and character, they inherit everything from their ancestors. At this stage they take on a more personal form. Atleast the 6 children that is, as the parents are still pretty much yin/yang and are, because of that, "out of the picture". They somehow stand above and influence all six, while not descending into their play.

As you probably have noticed this can be done another time creating now 16 variations, but let's not go there, for now the most importan ones are thethe 6 children.

Btw: This is my first drawing since like 10 years and that was highschool art class, so please spare me. If anyone wants to improve this. please do. :D The color grading is still pretty on point though and I wouldn't change that much about it if I did another one. Also this was born directly out of my inspiration when I found out about this, so it kind of grew on my heart. So shush! :P

- Wheel of emotion -



https://preview.redd.it/qkw9sasu9ib31.jpg?width=960&format=pjpg&auto=webp&s=b54035b3b6c992392d6239eb82f4693a80848cc9

Note: This is my own system of ordering it. I choose it to match togashi's system also because I think it's the most fitting when looking at personal energies. Only in this order you can really show the flow of energy visually. The original from the book of changes(I ging) includes all 8 trigrams, but denies circular motion. (I will add that too as reference) .

So what does all that jumble mean?
Basically, one could look at it as an age cycle of energy. From young age "Li" all throughout the maturing process right into old age "Gen". But there are many things happening in between that can be looked at.

To get a better understanding and overview, let us first look the symbols in the corner, that represent our previous four basic elements:


https://preview.redd.it/mcz1wwdw9ib31.png?width=2048&format=png&auto=webp&s=1f457bc3cc31d3f91cb127f2dc64a4b5a73442b5

fire > passion, action

water < flow, emotion

air ^ renewal, intelligence

earth v courage, memory


This attribution comes from the yogic sciences, where there are four pillars of yoga.
Yoga however does not mean "twisting your body". It means unity and is the path of seeking inclusion.
I included them because they are the only 4 sources you can use to enhance your self.

Fire: Karma yoga. The yoga of action. Using your body and your movement to generate energy.
Water: Bhakti yoga. The yoga of emotion. Using your emotion to include something into your self.
Air: Kriya yoga. The yoga of life energy. Bringing change to once own life energies.
AiEarth: Ghana yoga. The yoga of intelligence, Using your mind to penetrate the world and become something more.

This is how they get extracted from the geometric hexagram:

There's also another symbol, right at the bottom (where gen is), that looks at bit weird.
It's the lesser known fifth element:

Akasha or Aether



It's somewhat mysterious and hard to describe as it is invisible in nature.
It's below and above the other four elements in the way that all of the other elements happen in it. It is:
Space.
No, not the literal space out in the night sky.. whereby it's often used as a visual representation, but what it really points to is the space that's all around us.
There are things in space and there is space. That's akasha.
There are different symbols used to represent it. In nature it corresponds to the universe, plasma or the color purple


https://preview.redd.it/gzkenhv3aib31.jpg?width=509&format=pjpg&auto=webp&s=1b8e42ce5c6eeb68cf555cafaf19fc58613e972f

So far we've seen only the main attributition. Here's a more in-depth list of personal traits and correspondences for the four in their pure form. If we look at them in the dynamic spectrum they can mix quite heavily. Aether is not really relevant in that sense, but I think it's important to know its there.
(It's interesting how akasha is not really an element and specialisation is not really a class. But still I fail to see a direct connection. Also the symbol of the hunter association looks very similar.)


Elemental correspondences:


The element of fire (choleric)
Positive qualities: vigorousness, zeal, enthusiasm, courage, decisiveness, power of creativity, daring, sedulity...
Negative qualities: quarrelsomeness, irritability, urge to destroy everything, passion, immoderacy, jealousy, voraciousness, vindictiveness, violence, hate, anger, sudden ebullition...
The element of air (sanguine)
Positive qualities: clarity, intelligence, vigilance, care-freedom,diligence, kind-heartedness, swiftness, clarity, lightness, independency, dexterity, optimism
Negative qualities: overly intellectual, lack of perseverance, dishonesty, gossipy, cunningness, garrulousness, inconstancy, touchiness, prodigality...
The element of water (phlegmatic)
Positive qualities: understanding, placidity, mildness, trusting nature, devotion, mercy, forgiveness, modesty, compassion, , pliancy, meditativeness, internalization...
Negative qualities: corruptness, lust, depression, indifference, heartlessness, laziness, indolence, rigidity, lack of daring, lack of concern, unstableness, dejection...
The element of earth (melancholic)
Positive qualities: consistency, conscientiousness, perseverance, punctuality, caution, resistance, responsibility, carefulness, firmness, reliability, sobriety, ambition, respectfulness, matter-of-factness...
Negative qualities: stuffiness, superficiality, laziness, indifference, cumbersomeness, touchiness, lack of conscientiousness, irregularity, timidity, scornfulness...




While being more subtle, correspondences like that, can also be found for each of the trigrams. I haven't found a source for that so I'll list all that I picked up:

Trigram Nature correspondences Properties
Li flame, flash, sun radiant, clear, light, adherent, bound, conditioned, steady
Dshen thunder, quaking, roaring movement, action, agitation, thrill, excitement, loud, rash, energetic, rushing
Dui lake, swamp, spring joy, innocence, open, light hearted, happy-go-lucky, avid, kind
Kan abyss, deep water, gorge playful, versatile, trickster, hidden, danger, knowledge of evil, corrupt
Sun wind, wood, tree soft, balancing, understanding, knowledgeble, intelligent, calculating, penetrating, strict
Gen mountain, rock, stone independent, strong, firm, solely, serene, unmoving, still.


As I said, because they are more varied and differentiated then the four elements, these signs almost seem too resemble human beings, or atleast certain people come to mind when reading the above properties. Could it be possible to also see them as personality types, by which you can order people?
We'll I've never been a friend of pigeonholing people. You can fall into stereoptyping easily and in that way just loose touch with the ever flowing play, that is reality, but there seems to be some truth to these categories as it feels like they really seem to apply a lot of the time.
So what to do with this predicament?
Maybe we should see those just as general guidelines, as a thread. A reason to look deeper at the person before us, when we notice certain traits. Even the total cliché might suprise with another layer, if we keep looking with an open mind.
So does this mean everyone falls into just one of these categories? As you can already guess after having read so much of the Book of Changes. The answer is: No.

As practical as it may be to have compartments in life. It is advisable to have them as loose and open as possible, or you'll just be stuck opening and closing them all the time.
Someone else might say "What a mess! How can someone live with all those open drawers!" , but hey, It's your own and personal cabinet. Be free, because life doesn't like boundaries.
But don't go all the way and trash your wardrobes and cabinets. You'll definitely need the things you've aquired. Just be open to change your style now and then or you'll become outdated soon. So, let's blow the dust of our files and get back into business!

With the right state of mind the following classifications can be a powerful tool to look at other people. No one will ever be purely one of those, but still you can use it as a starting point.
We may come with a certain package or tendency, but what we make out of it is totally our own thing. Overidentifying ourselves with a certain type and saying: "This is what I am!" is just limiting our freedom and potential. A backpack should help us on our journey and not weigh us down constantly.
So prepare to err, because without exceptions there who would care for a rule.


Classification Trigram Abilities, Talents Tendencies Real world professions (allthough any can be all) Sin
Manipulator Li influence, control, govern, guide, teach outward, change/love teachers, parents , leaders, politicians, possesivenes, malevolence
Emitter Dschen being heard, bringing change, enforcing will outward, justice/ truth speakers, politicians, dancers,singers, police forces wrath
Enhancer Dui physical, simple approach, improving, strenghtening outward, courage/carefre athletes, labourer, dancers egoism
Transmuter Kan bending energy, keeping flow, shifting states, jokes, wearing a mask inward, love/change comedians, trickster, actor, artists, singer, dancer, writer, poets insanity, lust, malevolence
Conjurer Sun understanding the world and it's rules, living by it and creating something from it -> strategy, science, math, writing, poetry inward, truth/justice investigator, strategists, professors, academics, poets pride
Specialists Gen doing everything alone, special talents who have to be seen, unique inward, carefree/courage people who need nobody yet attract others because of that, types you just can't label. Know'em when you meet'em. indifference, arrogance


Now that we know all of the children personally, we can go and try to look into what ties them all togehter.


- Relations between children -


(I advise to keep the image of the wheel of emotion open in a sidetab, so it can be looked at while reading the explanations, otherwise you'll need a very good memory or an avid scrolling finger, ,but it seems I can post it one more time, so here you go:)


https://preview.redd.it/lm8y5kkxbib31.jpg?width=960&format=pjpg&auto=webp&s=89b4af56bcb6988f423e6837a76d5500461ea2e8
The arrows in the middle, that form a hexagon, display the hierarchy from oldest to youngest child of each gender and also give a hint to the parents from which they inherit. If you look closely, you can see male and female alternate with every trigram, because the hexagon consists of an upward female triangle, conjoined with a downward male triangle. While not a classification on their own they have a subtle impact on all six. However, one can't simple say, that dshen is purely male or sun female, as these "borders" get washed out increasingly through generations (if there ever were any). They might get more differentiated, but on the other hand seem to loose definition as either of the two genders.
The neighboring images are balancing each other, as one seems to always want to reach into the next.
Progressing like: -> li - dschen - dui - kan - sun - gen -> into li again.
There are many interactions, that can be seen in this: The stable earth (gen) wanting to become energy (li) -> pure energy becoming excitement (dschen), energeticness wanting to get a taste of colorful emotion (dui) -> the resulting happiness longing to become deeper emotion (kan) -> deepness becoming gentle and intelligent (sun) -> then growing strong and independent (gen) and finally the lonesomeness wanting to become warm again through communion with the outside world (li).
The properties used in this example are arbitrary,also you can't really set boundaries on this. I just did, so you have a general understanding of the flow that's being portrayed here. The early form of a trigram differs so heavily from its late version, it could be a new classification on it's own. But more on that later. First let's look at some other relations between the six children.

If someone has a certain tendency these rules of thumb seem to apply alot of the time. (The percentages are not exact, but I don't think I have even to say this anymore.)

Adjacent categories have a 80% learning capability and are always the ones, that are, not of the same age group and also of the opposing gender. Admittedly, it's a bit difficult to see, so here's an example:
specialization/gen (youngest son) 80%-- conjuration/sun( oldest daughter) 100%-- transmutation/kan (middle son) 80%
When the classification that is looked at for adaptibility is conjuration, which is a daughter, then it would mean the most promising categories will be the sons of a different age group, which are always the nieghbours. (Okay.. and what does that mean? I don't know at all, but that's how it seems to be.) And that's also were the natural balancing flow of energy wants to go:
The strictness and composure of conjuration(sun) wanting to become free through the unbound emotional deepness of transmutation(kan) and the burden of the working intelligence wanting to become cool, steady and lonesome through specialization(gen). While there's a definite tendency towards clockwise progression, it's fair to mention that change and interaction can be noticed in every direction. For example the gentleness of sun can calm the troubled waters of kan.

2.
Categories of the same gender always have a 60% learning capability.
If the classification look at is again conjuration/sun(oldest daughter), then it would be the other both daughters manipulation/li(middle) and enhancement/duì(young), which skills can be learned at a 60% rate. They form a triangle and always have a son in between.
same sex=same rate

3.
The polar category is the one that has the same age, but is of a different gender. I sometimes look at it as the archenemy category, because it's so opposing. If we look at conjuration(sun) again our counter would be emission(zhèn). Heavy planning and thinking and perfectionism against well, untempered hotheadedness.. If one wants to wield the other, there is bound to be chaos. And maybe that's why its 40% only,



You could look at it for days in this way and find harmonies and disharmonies, it's quite beautiful. For me it has become more than just a system. It's energy and emotion in the play of life. It really makes you wonder. But to spare you from my fascinated rambling, I will now move on unto the next thing I have found.



- And Zen what? -


As I have said before it's possible to add another line to the informational pool to achieve 16 variations(2*2*2). But that's not whats being done by the book of changes. It skips this stage entirely and directly combines two trigrams into one hexagram. If this is done for every possible combination there are suddenly 64 hexagrams. They create a much bigger array of possible states and changes between them, but to be honest that's too much work to show and explain right now. For one, this is no taoist university (I wonder if there really is such a thing) and it also goes beyond of what is useful for our purpose here. If you are really interested, look into that on your own. It's not that it's not worth it, but I don't want to infodump you to death.

I will now look at some specific constellations of the hexagrams, that are of direct importance for us. First we have the 8(6) "double images". It's obvious that when recombining all of the trigrams, we should also be left with 8 images that are a repetition of themselves. They give some new insight and add on on what we already now. The quality of amplification and repetition shines through in their meaning.

Note: All of the description that will follow are from a collection of sources. "Buch der Wandlungen"(book of changes from Richard Wilhelm). Excerpts used and translated into english by me.
original: https://schuledesrades.org/public/iging/buch/?Q=5/1
Quotes and descriptions from different english sites.
And infoormation and symbols from this https://en.wikipedia.org/wiki/Hexagram_(I_Ching))

Now, let's get started.

離 (lí), "radiance"

Other variations include "the clinging, fire" and "the net". Its inner trigram is ☲ (離 lí) radiance = (火) fire, and its outer trigram is identical.

The origin of the character has its roots in symbols of long-tailed birds such as the peacock or the legendary phoenix
Fire has no definite form, it adheres to things and burns that way. Like water raining from the sky, fire blazes upwards. Everything that is shining in the world is bound to something that it adheres too, only in that way it can shine on. For something to shine endlessly, there surely needs to be tenacity.
The clinging means resting on something. When the waters of the Abysmal flow into the pit, we search for something to cling to." Li is the image of the Clinging Fire, formless except the essence of fuel that keeps it burning, when undergoing drastic changes on the outside, the only footing is the reference point of the personal self.
What emerges from any difficult transition is the discovery of that thing which will guide and support you, when all else is taken away. This is like a light that is always burning in the darkness. Although events ‘out there’ orchestrate the changes, they merely lead you to cultivate a shift of awareness ‘in here.’


震 (zhèn), "thunder"

Other variations include "the shaking" and "the arousing (shock)". Both its inner and outer trigrams are ☳ (震 zhèn)

This movement is so intense it's frightening. The image is the thunder, who burst out from earth and by his quaking causes fright and trembling. While initially dreadful the uproar ensures renewal and success in the future.
It's the oldest sun, who vigorously seizes power. A taking of charge. A new status quo. -
When children ride roller coasters, they discover that allowing fear to have expression is energizing. If only we could always remain joyous in approaching our fears as we move along our dusty road. Unfortunately we grow complacent and seek security and stasis. Anything in nature that becomes stagnant will be re-energized by the unexpected. “Shock brings success. Shock comes – oh oh! Laughing words – ha ha!” Whether hurricanes balance ocean temperatures or tumultuous autumn and spring storms invigorate new growth, nobody can hide from nature’s power to keep all things thriving. The Shocking can symbolize the unexpected things that generate emotion and wake us up.
The feelings arising are quite unfamiliar but refreshingly new. What worked in the past will no longer do. The two words most associated with Zhen is ‘uh oh!’ However, it should be viewed in the same laughing sentiment as children riding a roller coaster. Something is coming that is unexpected but is meant to awaken you to how you hide. Each day we witness the mutability of nature and fail to recognize it in our own life. No matter the event, the pace may quicken and you may suddenly find your heart racing and a smile on your face.


兌 (duì), "the joyous, lake"

Other variations include: "open", "usurpation" and swamp. Both its inner and outer trigrams are ☱ (兌 duì).

The happy mood is contagious, that's why it's prevailing. But joy needs a foundation of stability, so it doesn't degenerate into utter foolishness. Truth and strength need to dwell in the heart, while meekness is for all to see. contrary to intuition joy is not the result of the softness of the topmost line. The property of the soft/dark principal is not joy, but melancholy. The real joy comes through it's inner toughness and strength, which shows itself through the means of softness.
The repititon: The happy mood is contagious, that's why it's prevailing. But Joy needs a foundation of stability, so it doesn't degenerate into utter foolishness. Truth and strength need to dwell in the heart, while meekness is for all to see. -

More often than not it's inner opening, rather than the effort or movement to change outer events that has led to joy. Often we feel the opposite of joy in the form of unhappiness and see it as something negative. Unhappiness is the hunger pain for change, so how can it be bad? The saying, “if you never fail, you will always succeed” means, that if failure is taken in stride as a prerequisite to success, it isn’t really failure. This accepting outlook leads to joyousness on the journey.
“Content in your circumstances and genuine in kindness, you are the expression of the love that renews all things.”
While we can do little to change the events that unfold around us, a change in perspective can magically change everything. Be joyous in thought and action and celebrate others. Since life is your mirror, it will reflect joyousness back to you.


坎 (kǎn), "the abysmal"

Other variations include "gorge" and "repeated entrapment". Its inner trigram is ☵ (坎 kǎn) and its outer trigram is identical.

Through repitition of danger, there is accustoming. Water serves as a good example in these kind of situations. It's always flowing and ever only fills all those gaps that its flowing through. It's not leaving out a single dangerous spot, fears no ledge or fall and is in that way always staying true to itself. If a situation is handled internally, there's a good chance it will sort itself out externally. To fully prevail through danger, there needs to be thoroughness, so that everything that needs to be done, gets done and there is no chance of succumbing to the danger. -

For the benefit of the flowers, we water the thorns too. – Egyptian Proverb

Can one honestly look back and not see the meaning for any of challenges that were had in the past? Going through the danger is necessary to discover who we are, what we really need and what we are capable of accomplishing. There is great power and realizations to be obtained when confronting fear in the deep waters of the unconscious. The dangerous flow of water can lead somewhere beneficial if you just relinquish control and let go of your fear.
Without trusting in the flow of events, many situations can seem threatening, but only in proportion to the disparity, that exists between the necessary transition and the fear of going there. When you recognize the things that you cannot change, you discover life's power to lead you. The path is frightening, but a commitment to move forward and jump into the flow leaves no option of turning back.


巽 (xùn), "the gentle (the penetrating, wind)"

Other variations include "ground" and "calculations". Both its inner and outer trigrams are ☴ (巽 xùn).

It's image is wind or wood, it's property is gentleness and yet it is penetrating like the wind or the wood with it's roots. In nature it's the wind, which is clearing the clustered clouds and enabling the sun to shine through. For humanity it's the penetrating clarity of righteous judgement, which knocks out all ulterior motives. In society it may be the influence of a powerful figure, who reveals and disperses any and all shady schemings
.
When the oak is felled the whole forest echoes with its fall, but a hundred acorns are sown in silence by an unnoticed breeze. – Thomas Carlyle

There is gentleness and enormous power associated with the hexagram of penetration. Like the wind blowing over vast periods of time against a mountain, the smallest influence, when applied with a steadfast attitude, can break down any barrier.


艮 (gèn), "the mountain"

Other variations include "keeping still, "rooted" and "stilling". Both its inner and outer trigrams are ☶ (艮 gèn)
True peace is holding still when it's due and moving forward when the time to move forward has come again. In this way, rest and movement is in balance with time and it's necessities. The image is end and start of all movement. As a symbol it could be the spinal of the human body. In it, all nerves controlling movement join together. If there's a seizing of action for all of these nerves, total standstill of the system will be the consequence.
If now a human becomes this still on the inside, then he may face the uneasy and quarrelsome world. He will not get dragged into the fights and upheaval caused by it's inhabitants and has the necessary calmness needed to comprehend the great rules and workings of the world. He, who is acting from this place of deep rootedness, doesn't make mistakes anymore.
In the book of changes, rest is described as a polar state, only achieved through the constant counterbalancing with movement.


So there's that. I would like to continue here, but apparently there's a 40.000 character limit. So the continuation will be in part 2.
https://www.reddit.com/taoism/comments/cfq3en/the_book_of_changes_and_the_flow_of_the_world/

And that's also where it gets even more interesting.

See you there!

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Open thread, July 2017

This is an open thread to discuss items of interest. I may also use it to drop thoughts as they occur to me as well -- something of a replacement of my former "tab closure" posts, as ... well, it seems tabs are simply running away from me. Consider this an experiment that's been mulling for some time.
If you've got a question, observation, link, or anything else, feel free to post it, with a thought to the lair rules -- like house rules, but larrier.

Plugs

I strongly recommend eleitl's subreddit, /collapsademic/. "Low-volume, low-noise, moderated discussion of our coming collapse".
That's one of a set of "limits and collapse" subs I've created a multireddit for:

Facebook's secret sauce wasn't software, it was Harvard

That is, Facebook was once literally Harvard. Something it very much isn't anymore, a point I noted after cries of "but the normal people are coming" rang out on Mastodon. It's a point danah boyd has also made in her research.
There's a corollary: if your interest is in creating the next Facebook, or even merely disrupting the present one, then it strikes me one viable option would be to identify whatever your next Harvard is -- a cohort of intelligent, attractive, interesting people, who aren't much impressed by Facebook Which Is No Longer Harvard -- and kick some funding and technical support at them.
Your Next Harvard doesn't have to be Harvard, mind, though that's probably a good (and symbolic) target to include. And I can pretty much guarantee that the folks at 1 Hacker Way will go into a blind panic.
Which might just be a sufficient disruption.

Veritasium: What YouTube's algorithm selects for

Derek Muller, among the higher-quality YouTube creators, has reflected from time to time on what makes for successful YouTube content. Much of that (as with other social channels) is strongly dependent on what the site's own algorithms incentivise for. This 12 minute video looks at recent changes, and what this suggests.
Why YouTube Used to Prefer Quality.
This ties in with a ... much larger .. reflection I've been engaged in on media generally. It also highlights one of many failings with The Information Diet, which is that the information appearing online, at social media sites such as Facebook, Twitter, or Reddit, or on the sites and content farms feeding those maws, depends tremendously on what is being selected for and promoted.
Muller also fails to consider a few elements:

Tech Ontology -- Blocking factors

I'm trying to explore a few concepts before writing a post (or posts? or book?) on the idea of an ontology of technological mechanisms. In particular a few bits:
Identifying what technology is, specifically, and how it differes from both science and the liberal arts / humanities. There's a very good passage from John Stuart Mill in his Essays on some unsettled Questions of Political Economy:
One of the strongest reasons for drawing the line of separation clearly and broadly between science and art is the following:—That the principle of classification in science most conveniently follows the classification of causes, while arts must necessarily be classified according to the classification of the effects, the production of which is their appropriate end. Now an effect, whether in physics or morals, commonly depends upon a concurrence of causes, and it frequently happens that several of these causes belong to different sciences. Thus in the construction of engines upon the principles of the science of mechanics, it is necessary to bear in mind the chemical properties of the material, such as its liability to oxydize; its electrical and magnetic properties, and so forth. From this it follows that although the necessary foundation of all art is science, that is, the knowledge of the properties or laws of the objects upon which, and with which, the art dons its work; it is not equally true that every art corresponds to one particular science. Each art presupposes, not one science, but science in general; or, at least, many distinct sciences.
Comparing existing ontologies of technology. The Encyclopedia Britannica, the Bacons (Francis and Roger), the Library of Congress Classification System, the Random House Encyclopedia, and Joseph Needham's classifications come to mind.
Comparison with mechanisms within biology. Why biology? Because human technology is, as I see it, an extension of biological mechanisms, at least in large part. Nick Lane in particular has some very interesting work here.
Are the mechanisms themselves technologies? I think my answer here is no, though I want to check myself on this.
The fundamental mechanisms. All the categories boil down to "do less" or "use more", I think.
The Network Elements. Numerous of the categories I've defined have or represent network-type effects. I'm asking myself if these cannot be simplified.
Keeping the end in mind. The ultimate goal of any classification scheme is to find an underlying and simplifying pattern. The realisation as I started putting this together was that each of the mechanisms implied specific benefits, and disadvantages, for the associated mechanisms, as well as a set of common features.
Disruption. I'm looking for ways Clayton Christensen's concept comes in to play. See also Jill Lepore's The Disruption Machine: What the gospel of innovation gets wrong (2014).

John Baez, Category & Network Theory

Category theory and Network Theory are areas of research of University of California, Riverside, physics professor John Baez. I've been playing catch-up with his G+ profile and Azimuth blog. Baez has maths I don't have, but the ideas he's pursuing strike me as similar to where I'm going with my own.
See particularly his Oxford Network Theory collection.

Can privacy be quantified?

This presupposes a few other questions, including defining what privacy is.
Jill Lepore, again, has a University of Kansas lecture, "Unseen - the History of Privacy" (April, 2017), which suggests a progression from mystery to secrecy, then privacy:
Lepore also notes that "the case for privacy always comes too late" -- after the horse is out of the barn. Debates over privacy always lag advances in technology.
There's a related set of etymologies: cabinet, a chamber of secrets, secretary, one entrusted to secrets, and secret itself: "set apart, withdrawn; hidden, concealed, private", from PIE root *krei- "to sieve," thus "discriminate, distinguish".
It seems to me that privacy is the abilty to set, define, and defend boundaries. (A source of rather constant friction with Google.) In which case some of the possiblities for measurement:
That's a partial and speculative list, but it gives some sense of where I'm looking.

Employment and Automation: Why is factory work different?

The focus on the automation debate is over the likely falling wages, and apparently job security, of labour. This frequently prompts the counterargument that factory work was an earlier age's version of automation, and ultimately paid well.
One though that occurs: What if manufacturing-based factory work was an exception?
And if so, an exception to what, exactliy, and why?
A few points come to mind, with Arnold Toynbee's Lectures on the Industrial Revolution and Robert Gordon's The Rise and Fall of American Growth supplying much of the background here.
Adam Smith writes of the five factors which provide for a premium on wages:
first, the agreeableness or disagreeableness of the employments themselves; secondly, the easiness and cheapness, or the difficulty and expense of learning them; thirdly, the constancy or inconstancy of employment in them; fourthly, the small or great trust which must be reposed in those who exercise them; and, fifthly, the probability or improbability of success in them.
Several of these apply to factory work:
That's four of the five factors.
The real key to me though is that the role of human workers was as the brains and control element of a structured, automated, and powered process. Factory work is very much literally a force multiplier of raw human skill. A single man, plus machines, could have his output multiplied many times. And due to the considerations above, plus unionisation, eventually claimed a high wage.
The question is how these factors extend into the coming world of work. I have concerns. And I don't see any of the discussion of this point following the lines of analysis I've given here.
Further development in a comment at The Other Place.
And, back to unionisation: factories represent both a strength and a weakness of monopoly-as-network-control.
On the one hand, a factory is a nexus of capital, access to financing, marketing and vendor relationships, transport, power or energy, and labour. On the other, a factory is much like a mine: you cannot simply pick it up an move it to another location. Or at least this was far less true in the 19th and much of the 20th century. Over the past 50 years or so, mobility of capital, and the ability to finance and construct new factories largely at-will has increased, with labour organisation falling largely in parallel.

The Brain and the Eighth Hand

I was reminded of a fantastical riff Yonatan Zunger posted to G+ a while back in which he created an entire wealth, class, and informational complexity theory around Star Wars vaporator droids. This is fiction-on-fiction, mind, but a wonderful set of imagery:
When Owen asked C-3PO if he spoke the binary language of moisture vaporators, the proper answer for him to give (in binary) would have been "with neither too many hands nor too few," that being the idiom for speaking politely and properly. Moisture vaporators use their hands as communication ports, each finger transmitting or receiving a single channel, and touch hands to one another in order to speak; if you were to speak with more hands than the listener had available, they would miss part of what you were saying, and (especially if that were crucial metadata) they would not be able to understand you. Conversely, if you spoke with fewer hands than they listened with, your transmissions would be slow, stilted, taking far too much time. Speaking with the appropriate number of hands is a key aspect of their culture.
But as with many societies, etiquette conceals notions of class: the number of hands a moisture vaporator has is largely determined by wealth and their role. As a result, a common worker with only two or three hands will always seem slow-witted and foolish when trying to speak to a five-handed member of their bourgeoisie, and that burgher would in turn feel profoundly uncomfortable in "seven-handed society."
An eighth hand, by law and by custom, is permitted only to their Emperor, and in fact "the eighth hand" is both a symbol of and metaphor for Imperial power.
So, we get communications, class, wealth, status, and complexity of thought, in one package.
I'd run across an item at Nautilus (fantastic online source, by the way, and they're actively soliciting support currently), "How Your Brain Decides Without You:
The structure of the brain [Lisa Feldman Barrett] notes, is such that there are many more intrinsic connections between neurons than there are connections that bring sensory information from the world. From that incomplete picture, she says, the brain is “filling in the details, making sense out of ambiguous sensory input.” The brain, she says, is an “inference generating organ.” She describes an increasingly well-supported working hypothesis called predictive coding, according to which perceptions are driven by your own brain and corrected by input from the world. There would otherwise simple be too much sensory input to take in. “It’s not efficient,” she says. “The brain has to find other ways to work.” So it constantly predicts. When “the sensory information that comes in does not match your prediction,” she says, “you either change your prediction—or you change the sensory information that you receive.”
To which I obseved on the Inevitability of the Eighth Hand, by the Emperor, that is, the decisionmaking centre of society:
Thus: the emperor must always have the eighth hand, and proper interpretation and framing of the Universe requires more processing power then sensing power, and/or the obligation to discard information which cannot be integrated into the receiving frame.
On which I'll note that the most startling element of this whole episode was that I was actually able to find it using G+ search -- otherwise almost wholly useless.

"Forward to the Past" -- the Digital Library as the problem, not the solution

Eric van der Velde writes on my newfound obsession, libraries, in "Forward to the Past". I've points of disagreement and agreement.
What particularly caught my attention, though, is this:
Why is there no scholarly app store, where students and faculty can build their own libraries?
Though I disagree with the market-based approach, the premise of a self-controlled, self-contained facility for personal information management ... yeah, I'm kinda hankering that way myself.

Subreddit styling: Geopolitics has a wonderful thread-collapse design

I'd first run across this some time back ... and then couldn't recall which subreddit it was. /Geopolitics has a very slick CSS where the "collapse thread" control runs the full height of the left-hand margin, for each nesting level of a comment thread. If you've decided you've had enough of a particular digression, you can close any level of it with a single click, without having to hunt up-thread for the relevant comment. See this archived post for an example.
I'm impressed and may well steal the concept. Good UI is very rare. This is a good UI.
Why? It puts the control directly in context, makes it easy, makes it obvious, and, should you close an item by accident, makes undoing the action trivially easy.

China and classifications of industrial sectors

In a YouTube video, Mark Anderson of INVNT/IP makes mention of a classification by China of the global economy into 417 sectors, and apparently is targeting those for economic espionage. On inquiring as to where that classification is made: the Communist Party of China's 12th Five Year Plan, 2011 - 2015.
Which I now feel I need to find an English translation of.
I did track down a U.S. government assessment of the plan, however. And in that, a further interesting note on what it considers to be a failure of the plan: though the performance targets of the plan were generally hit (and fairly impressively so), the analysis argues that the structural foundations of the economy weren't adequately addressed. This strikes me as an interesting possible response to various "things are going so amazingly awfully terrifically swell!!!" glurge posts which emerge from time to time. Interesting how vision clears when focused outward....

The Tech Ontology Purity Test: Filters

Another aspect of the tech ontology: I'm somewhat stuck on the point of various purification processes and mechanisms and how these fit within the notional framework I've conceived. Especially as this capability is a highly fundamental biological process, one that is key to virtually any process. Actually, it gets us straight back to entropy and de-entropisation.
A process by which a conglomeration of two (or more) things can be reduced to two (or more) separate collections, each with only one set of components to it, is what de-entroposiation is all about.
That might be a mechanical sorting (e.g., hand-picking), size-based filters (sieves, nets, filters), density differentials (wheat/chaff sorting, bouancy, air-jet separation, charged beam, gas diffusion, centrifuge), magnetic properties, distillation processes, chemical solutions, ion-diffussion / proton-pump mechanisms (cell-wall), etc. The upshot is: how do you distinguish between what you want, and then, somehow, act differentially on the one vs. the other?
Is this strictly a process knowlege, in which case it falls under "technology"? Is it a class of actions? Is it material properties? Systems management?

Asset price inflation and Adam Smith

A wonderful Smith quote:
As soon as the land of any country has all become private property, the landlords, like all other men, love to reap where they never sowed, and demand a rent even for its natural produce.
-- Adam Smith, Wealth of Nations, Book I, Chapter VI
See previously, Asset Price Inflation of Maslovian and Productive Goods.

Robert Behn and "Gresham's Law of Leadership Strategies"

From his book The performanceStat potential a leadership strategy for producing results, Robert Behn distills what I see as a statement of Gresham's Law as a generalised constraint on complexity within systems:
He starts with the pithy observation:
Simple leadership strategies drive out the complex.
But then expands this more completely, showing the information-theoretical underpinnings of the fundamental Gresham's mechanism:
Simple, easily explained, easily comprehended, explicit-knowledge descriptions of a leadership strategy dive out subtle, complicated, tacit-knowlege appreciation for the potential of a complex leadership strategy to influence organizational behavior in ways that improve performance.
He continues to note that this comes in two forms:
  1. We humans prefer simple leadership strategies to complex ones.
  2. We also prefer simple explanations of complex leadership strategies to the subtle and complicated reality.
What I particularly like is the focus on several elements of psychology and cognition:
This suggests a subsuming mechanisms for Gresham's Law which jibes with concepts from Darwinian evolution: that systems evolve complexity costs, and that among the selective pressures which exist are those for a minimisation of complexity in light of such costs. There's an article on a computational evolution experiment, "Meet the Animats", which notes that there is a minimum complexity bound to various maze-traversal "animat" bots, though, without a complexity cost factor, the experiment found no constraint on the upward bound of complexity.
A few minor edits -- mostly deletions -- makes Behn's formulation on page 42 (appropriate) much more general:
"Simple, easily explained, easily comprehended, explicit-knowledge, descriptions ... drive out subtle, complicated, tacit-knowledge appreciation for the potential of a complex model."

Pilots vs. software users

From HN, ncallaway and kbuttler note that the airline industry's safety record is based on pushing beyond "pilot error" as an acceptable prime factor in accidents, and that the software industry might well do similarly.
While I agree generally with that sentiment, there's a key difference.
Airplane pilots are licensed, certified, trained, and regulated. There's a clear floor to who is allowed in the cockpit (barring extreme emergencies, e.g., incapacitation of a pilot). By contrast, software is made available to pretty much the entire world. And it turns out that two thirds of all adults have "poor", "below poor", or no computer skills at all. Which is to say, the qualifications floor is nonexistent. It's the tyranny of the minimum viable user.
If you're designing a one-size-fits-all system, you've got to design for this. The results, I'd argue, are ... not particularly satisfactory.
I'm not saying "don't design for the user in mind", or "don't dismiss user error". But rather, than when your floor is zero, you're going to have a remarkably difficult challenge.

One last thing ...

Do you like what you're reading here? Would you like to see a broader discussion? Do you think there are ideas which should be shared more broadly?
The Lair isn't a numbers game, my real goal is quality -- reaching, and hopefully interacting with, an intelligent online community. Something which I've found, in several decades of online interactions, difficult to achieve.
But there's something which works surprisingly well: word of mouth. Shares, by others, to appropriate venues, have generated the best interactions. I do some of that, but I could use your help as well.
So: if you see something that strikes you as particularly cogent (or, perhaps, insipid), please share it. To another subreddit. To Twitter or Facebook or G+. To the small-but-high-quality Metafilter. To your blogging circle, or a mailing list. If you work in technology, or policy, or economics, there as well.
Thanks, Morbius.
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